Ostara smoke-fired tealight holder – Handmade Easter egg made of traditionally fired clay for spring rituals

The tealight holder comes securely packaged in recycled cushioning material, measuring 9x8x7cm and weighing 400g.

Celebrate the awakening of spring and the magical energy of the season with this Ostara tealight holder in the shape of a symbolic Easter egg. Each piece is unique, crafted from traditionally fired clay and finished using the ancient technique of rustic smoke firing – a fusion of primitive art, natural beauty, and spiritual depth.

A symbol of light representing fertility and new beginnings
This tealight holder is more than just Easter decoration: it's a symbol of hope, growth, and renewed vitality. Place a tealight in the egg's central opening and let its warm glow highlight the organic smoke patterns and earthy textures of this decorative smoke-fired pottery. The rough surface, marked by ash and fire, speaks of the raw energy of the craft and lends a mystical, springtime aura to any room – ideal as a spiritual decoration for altars, windowsills, or festive tables.

Symbolism and craftsmanship in harmony:

Easter egg shape: A timeless symbol of fertility, rebirth and the cycle of nature – inspired by Ostara, the festival of spring awakening.

Smoke firing technique: Each piece is fired in an open fire, creating unique ash marks and smoky nuances.

Primitive aesthetics: The deliberately rustic surface with natural cracks and irregularities reflects the authenticity of traditional craftsmanship.

Practical & versatile:

Stable clay with a natural feel – Made to last.

Perfect for spring decorations, Easter celebrations or as a gift for the spring equinox.

Dimensions: 9x8x7cm, suitable for standard tea lights.

Handmade with intention
Each egg is lovingly handcrafted, fired, and refined with smoke. The "imperfections" are not flaws, but rather signs of authenticity – every crack, every ash line tells a story of fire, earth, and human devotion.

My clay sculptures and jewelry pendants are less replicas of excavated treasures than my own intuitive interpretations. I allow the creation of each piece to unfold naturally, always inspired by my knowledge of the Neo- and Paleolithic periods, as well as by my extended stay in mystical England many years ago.

Each of my manufactured pieces is 100% made by my own hands, without the use of molds, stencils, etc., and is therefore unique, which is further enhanced by the random coloring during the firing process in the fire.
My works are not glazed but receive their silky matte sheen through polishing with agate before firing, which enhances their beauty from within.
Working with clay and then firing the pieces in fire grounds me considerably - I would be very happy to share this feeling with anyone interested in my pieces.

I am happy to implement commissioned work or my own ideas for a specific piece of work, provided it is compatible with my way of working.
Feel free to contact me about this.